IGCSE Music (0410) — May–June 2025, Paper 13
38 questions · every question answerable online with instant point-by-point AI marking against the official mark scheme.
Start with Question 1 →Music A1: You will hear an extract for voice and piano. The words are printed below. Read through Questions 1 to 5. 1 To wander alone when the moon faintly beaming 2 With…
Answer this question and get it marked →Music A1 (continued): How does the music reflect that the person is walking alone in line 1?
Answer this question and get it marked →Music A1 (continued): What musical features suggest darkness and horror in lines 3 and 4?
Answer this question and get it marked →Music A1 (continued): What is the texture of the piano part after the singer stops?
Answer this question and get it marked →Music A1 (continued): Identify a feature of the music that shows it was written in the Classical period.
Answer this question and get it marked →Music A2: You will hear an extract for instruments. Look at the skeleton score below and read through Questions 6 to 8. Name the key and cadence in bars 18-19. Key: ............…
Answer this question and get it marked →Music A2 (continued): What instrumental family plays the melody first when the recorded extract continues (after the printed music)?
Answer this question and get it marked →Music A2 (continued): Which of the following best describes this extract? [ ] March [ ] Minuet [ ] Oratorio [ ] Waltz
Answer this question and get it marked →SECTION B. You will hear three extracts of music from around the world. Each extract will be played four times, with a pause between each playing. Music B1: You will hear an…
Answer this question and get it marked →Music B1 (continued): The extract continues with a variation of the printed melody. Describe two ways in which the music changes when the extract continues.
Answer this question and get it marked →Music B1 (continued): Where does this music come from?
Answer this question and get it marked →Music B2: You will hear an extract for instruments and voices. Read through Questions 12 to 14. Name the tuned instrument heard at the start of the extract.
Answer this question and get it marked →Music B2 (continued): Describe the music of the extract.
Answer this question and get it marked →Music B2 (continued): Where does this music come from?
Answer this question and get it marked →Music B3 (World Focus: Chinese music): You will hear an extract of Guangdong music. Look at the skeleton score and read through Questions 15 to 18. The melody in bars 1-8 is…
Answer this question and get it marked →Music B3 (continued): Comment on the scale used in the printed passage.
Answer this question and get it marked →Music B3 (continued): What other features of this extract are typical of the start of a piece of Guangdong music?
Answer this question and get it marked →Music B3 (continued): How has the transmission of this music changed over time?
Answer this question and get it marked →SECTION C. You will hear one extract of music, played four times with a pause between each playing. Music C1: You will hear an extract for instruments. Look at the skeleton score,…
Answer this question and get it marked →Music C1 (continued): Compare the music of bars 9-14 with bars 1-6, noting similarities and differences.
Answer this question and get it marked →Music C1 (continued): The melody is incomplete in bars 22-23. Fill in the missing notes on the stave. The rhythm has been given to help you.
Answer this question and get it marked →Music C1 (continued): Describe the music that is heard after bar 36.
Answer this question and get it marked →Music C1 (continued): Which of the following best describes this extract? [ ] March [ ] Minuet [ ] Oratorio [ ] Waltz
Answer this question and get it marked →Music C1 (continued): When was this music written? [ ] Baroque [ ] Classical [ ] Romantic [ ] Since 1900
Answer this question and get it marked →SECTION D (Set Work). Answer all the questions on one set work: either Beethoven: Symphony No. 5 (Questions 25 to 30) or Haydn: Trumpet Concerto (Questions 31 to 38). Beethoven:…
Answer this question and get it marked →Music D1 (continued): Explain Beethoven's use of melodic material in the extract, including references to which instruments are playing.
Answer this question and get it marked →Music D1 (continued): On the stave below, write the bracketed notes of the viola part in bars 10-11 in the treble clef.
Answer this question and get it marked →Music D2 (Beethoven: Symphony No. 5): Look at the skeleton score, which you will find in the separate insert, and read through Questions 28 to 30. What features of the music in…
Answer this question and get it marked →Music D2 (continued): Give the precise name of the part of the exposition heard from bar 26.
Answer this question and get it marked →Music D2 (continued): What section of the exposition begins at bar 34?
Answer this question and get it marked →Haydn: Trumpet Concerto. You will hear two extracts. Each extract will be played twice, with a pause between each playing. Music D3: Look at the skeleton score, which you will…
Answer this question and get it marked →Music D3 (continued): Comment on features of the trumpet writing in bars 1-24 which were designed to display the capabilities of the instrument Haydn was writing for.
Answer this question and get it marked →Music D3 (continued): What is played by the timpani and horns in bars 29-32? [ ] Dominant pedal [ ] First subject [ ] Tonic pedal [ ] Second subject
Answer this question and get it marked →Music D4 (Haydn: Trumpet Concerto): Look at the skeleton score, which you will find in the separate insert, and read through Questions 34 to 38. What is the tempo marking of this…
Answer this question and get it marked →Music D4 (continued): What instrument doubles the trumpet an octave higher in bars 3-4?
Answer this question and get it marked →Music D4 (continued): On the stave below, write the first two notes of the trumpet part in bar 15 at sounding pitch. The key signature has been given.
Answer this question and get it marked →Music D4 (continued): Describe the structure of this movement as a whole, and explain how the recorded extract fits into the structure.
Answer this question and get it marked →Music D4 (continued): Which trumpeter was this concerto written for?
Answer this question and get it marked →