IGCSE Music (0410) — October–November 2024, Paper 13

8 questions · every question answerable online with instant point-by-point AI marking against the official mark scheme.

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Question 1 · 8 marks · Music A: Baroque, Classical, Romantic or Twentieth Century

Music A1: You will hear an extract for voice and piano. The words are in French. Read through questions 1 to 4. The structure of the extract is: Instrumental introduction Verse 1…

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Question 5 · 8 marks · Music A: Baroque, Classical, Romantic or Twentieth Century

Music A2: You will hear an extract for instruments. Read through questions 5 to 8. Name precisely the first instrument heard.

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Question 9 · 6 marks · Music B: World Music

Section B — World Music. Music B1: You will hear an extract for instruments. Read through questions 9 to 10. Describe the music in the first part of the extract.

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Question 11 · 6 marks · Music B: World Music

Music B2: You will hear an extract for instruments. Read through questions 11 to 13. Describe in detail the texture of the music at the start of the extract.

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Question 14 · 10 marks · Music B3: World Focus — Latin American Music

Music B3 (World Focus: Latin American Music): You will hear three short passages of choro music, separated by short gaps. Look at the skeleton scores and read through questions 14…

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Question 17 · 16 marks · Music C: Skeleton Score

Section C. Music C1: You will hear an extract for instruments. Look at the skeleton score, which you will find in the separate insert, and read through questions 17 to 22. Answer…

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Question 23 · 16 marks · Music D: Set Work — Beethoven: Symphony No. 5

Section D — Set Work (answer questions on ONE set work only). Beethoven: Symphony No. 5 Music D1: Look at the skeleton score in the separate insert, and read through questions 23…

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Question 32 · 16 marks · Music D: Set Work — Wagner: The Mastersingers of Nuremberg, Overture

Wagner: The Mastersingers of Nuremberg, Overture Music D3: Look at the skeleton score in the separate insert, and read through questions 32 to 35. Comment on the orchestration of…

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← May–June 2023 Paper 11 · October–November 2024 Paper 12 →

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